John Vanderslice » Biography
After mk Ultra broke up in 1999, Vanderslice wasted little time building a solo reputation. In 2000, he gained national media attention over his single Bill Gates Must Die after concocting an elaborate hoax in which Microsoft supposedly threatened legal action over supposed trademark violations (the disc had a similar etching to a Windows installation disc). Subsequent albums, Time Travel is Lonely, Life and Death of an American Fourtracker, Cellar Door, Pixel Revolt and Emerald City have gained critical acclaim for their melodic quality and sophisticated narrative lyrical content. Vanderslice has spent much of the last few years on tour across North America, Europe, and Japan.
Vanderslice also founded a recording studio in 1997 called Tiny Telephone. Located in the Mission District of San Francisco, Tiny Telephone has carved out a niche as the last all-analog recording studio in the Bay Area, and has a policy of setting recording rates under market prices. Bands who have used Vanderslice’s studio include Beulah, Death Cab for Cutie, Okkervil River and Spoon.
Vanderslice is a proponent of using analog instruments and recording equipment to produce a richer, more raw sound which he has sometimes called “dirty hi-fi”. He has collaborated closely with Scott Solter in the production of his recent albums, with Pixel Revolt being notably shaped by Solter.
Last edited by thebrucewayne on 21 Mar 2009, 03:13
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.