Lo-fi is an aesthetic in music production which uses low fidelity recording practices. Its use is usually due to the artist’s financial limitations. Many lo-fi artists use inexpensive cassette tape recorders for their music. The term was coined by WFMU DJ William Berger who dedicated a half hour segment of his program to home recorded music throughout the late ’80s under the name Lo-fi…
As a term to describe a musical genre, lo-fi is mainly associated with recordings from the 1980s onwards, when cassette technology such as Tascam’s four-track Portastudio became widely available. Prime early exponents included Daniel Johnston, New Zealand bands such as the Tall Dwarfs, who recorded on Chris Knox’s 4-track and released on Flying Nun Records, and Beat Happening and the Olympia, Washington label K Records. In the early-mid 1990s, Lo-fi found a wider audience with the success of such acts as The Apples in Stereo, Beck, Sebadoh, Guided By Voices, Pavement, Liz Phair, Will Oldham, Yo La Tengo, David Kilgour (musician) and (later) Elliott Smith.
Often lo-fi artists will record on old or poor recording equipment, ostensibly out of financial necessity but also due to the unique aural association such technologies have with “authenticity”, an association created in listeners by exposure to years of demo, bootleg, and field recordings, as well as to older pop studio recordings produced more simply.
Last edited by satansskull on 31 Mar 2009, 20:05
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